Raf Simonsの歴史についての動画です。
動画
字幕 (自動生成されたもの)
00:26:05 ～ 00:26:07 he studied the work of Christian Dior
00:26:07 ～ 00:26:09 very closely so when he made his debut
00:26:09 ～ 00:26:11 with the Dior fall 2012 couture
00:26:11 ～ 00:26:13 collection he impressed the audience
00:26:13 ～ 00:26:15 with references to the fashion house’s
reference to ～への言及、～の参考書
00:26:15 ～ 00:26:17 history even aside from that the
aside from 〔話題・問題など〕からそれて、～はさておき、～は別として、～はこっちに置いといて、～を除いては、～の他に、～に加えて、～だけではなく
00:26:17 ～ 00:26:19 consensus was that he had done a great
consensus 〔全体の〕ほぼ一致した意見、総意、民意、意見の一致
00:26:19 ～ 00:26:20 job and it left people feeling very
00:26:20 ～ 00:26:23 optimistic about his future with Dior
optimistic 楽観的な、楽観主義の
00:26:23 ～ 00:26:25 there was however one slight problem
slight 〔数量・程度などが〕非常に小さい、極めて少量の、ほんのわずかな、か弱い、細い、きゃしゃな、取るに足りない、考慮に値しない、根拠の薄い、内容が薄弱な
00:26:25 ～ 00:26:27 from a consumer standpoint couture is
standpoint 観点、見地、立場
00:26:27 ～ 00:26:29 really not intended for a general
00:26:29 ～ 00:26:31 audience and I’m not saying that it has
00:26:31 ～ 00:26:33 to be but you do have to remember that
00:26:33 ～ 00:26:35 many of Raf’s fans were young somewhat
00:26:35 ～ 00:26:37 grungy kids that didn’t particularly
grungy 〈米俗〉汚れた、汚い、みすぼらしい、だらしない、〈米俗〉悪い、劣った
00:26:37 ～ 00:26:39 care for French couture and you also
00:26:39 ～ 00:26:40 have to remember that a large portion of
00:26:40 ～ 00:26:42 his fans knew him for his menswear so
00:26:42 ～ 00:26:44 the ready to wear women’s collections he
00:26:44 ～ 00:26:46 was making didn’t quite appeal to them
00:26:46 ～ 00:26:48 more than anything else they just wanted
more than anything else 他の何よりも
00:26:48 ～ 00:26:49 something reasonably affordable that
reasonably 完全ではないが満足のいく程度に、まあまあ
affordable 手頃な［良心的な・手の届く・無理なく買える］価格［値段・料金］の
00:26:49 ～ 00:26:51 they could get their hands on and that’s
get one’s hand on ～に手をつける、～を手に入れる、～を入手する、～に近づく、～を捕まえる
00:26:51 ～ 00:26:54 why in 2013 Raf officially partnered
00:26:54 ～ 00:26:56 with adidas to release a footwear line
partner with ～とパートナーになる、～と手を結ぶ、～と組む、～と提携する
00:26:56 ～ 00:26:58 to start he took two classic adidas
take 〔自分の意志で手に～を〕取る、〔自分の領域・縄張り・体内に～を〕取り込む、〔商品を〕買う、選ぶ
00:26:58 ～ 00:27:01 models the oswegos and the responses and
oswegos??
00:27:01 ～ 00:27:03 completely reimagined them
reimagine 再び想像する、再考する、考え直す
00:27:03 ～ 00:27:04 they made their debut on the runway for
00:27:04 ～ 00:27:07 his labels fall 2013 menswear collection
00:27:07 ～ 00:27:09 and they were an instant hit to keep the
instant hit 〔音楽などが〕すぐにヒットすること
00:27:09 ～ 00:27:11 momentum going we saw a number of new
00:27:11 ～ 00:27:13 shoes over the next two years including
00:27:13 ～ 00:27:14 the bounces
bounce 跳ね返り、弾み、反発力、活気
00:27:14 ～ 00:27:16 the rising stars
rising star 《a ～》〔ある分野で〕人気急上昇中の人［もの］、希望［期待］の星［新人］
00:27:16 ～ 00:27:19 the Response Trails
Response Trail adidasシューズのモデルの１つ
00:27:19 ～ 00:27:21 the Response Trail Robots
00:27:21 ～ 00:27:23 the Super Trekkers
Super Trekker adidas x Raf Simonsのシューズ
00:27:23 ～ 00:27:25 and of course the Raf Simon’s Stan
00:27:25 ～ 00:27:27 Smiths even before this partnership with
00:27:27 ～ 00:27:30 adidas Raf was known for being a big fan
00:27:30 ～ 00:27:31 of Stan Smith’s so putting this
00:27:31 ～ 00:27:33 particular shoe out was quite special to
put out 生み出す、生産する、製造する、出版する、本を出す、発行する、発売する、公開する
00:27:33 ～ 00:27:36 him nevertheless it would be the oswego
oswego??
00:27:36 ～ 00:27:38 that prevailed as the fan favorite and
prevail 広がる、広く行き渡る、流行する、普及する、主流である、優勢である
fan favorite ファンのお気に入り
00:27:38 ～ 00:27:39 over time we’ve seen it updated in
over time 時間と共に、時がたつにつれて、経時的に、そのうちに、ゆっくり時間をかけて、長い期間をかけて、徐々に
00:27:39 ～ 00:27:42 several different colors and materials
00:27:42 ～ 00:27:43 now don’t get me wrong Raf was already
get ～ wrong ～を誤解する
Don’t get me wrong 誤解しないで
00:27:43 ～ 00:27:46 very famous before all of this and had a
00:27:46 ～ 00:27:47 strong cult following but there is no
cult 〔一時的な〕熱狂、（個人）崇拝
a cult following 熱狂的ファン層
00:27:47 ～ 00:27:49 denying that the adidas partnership
there is no denying that 〜は否定できない、〜は紛れもない事実だ
00:27:49 ～ 00:27:51 helped push his name much further into
00:27:51 ～ 00:27:53 the mainstream I’m sure all of you
mainstream 〔思想や芸術などの〕主流、本流
00:27:53 ～ 00:27:55 remember how crazy sneaker culture was
00:27:55 ～ 00:27:57 back in 2015 and because the Raf Simons
00:27:57 ～ 00:27:59 adidas shoes were a part of that there
00:27:59 ～ 00:28:01 were now people that knew his name
00:28:01 ～ 00:28:02 without ever having seen one of his
00:28:02 ～ 00:28:04 collections and I feel like I should
00:28:04 ～ 00:28:06 acknowledge ASAP Rocky’s role in this as
ASAP Rocky アメリカ合衆国ニューヨーク州ニューヨークシティ出身のラッパー
00:28:06 ～ 00:28:08 well because even aside from the song
aside from 〈米〉〔話題・問題など〕からそれて、〈米〉～はさておき、～は別として、～はこっちに置いといて、～を除いては、〈米〉～の他に、～に加えて、～だけではなく
00:28:08 ～ 00:28:10 Raf he’s been rapping about Raf
00:28:10 ～ 00:28:11 Simons since the beginning of his
00:28:11 ～ 00:28:14 career anyways moving on it was in late
00:28:14 ～ 00:28:17 2015 that we got word of Raf’s decision
get word of ～の知らせを受ける、～のうわさを耳にする
00:28:17 ～ 00:28:19 to resign from Dior and unlike the Jil
00:28:19 ～ 00:28:22 Sander’s situation this really was his
00:28:22 ～ 00:28:24 own decision he’d accomplished a lot
00:28:24 ～ 00:28:25 there and I’m sure they would have been
00:28:25 ～ 00:28:27 happy to have him stay but in a
00:28:27 ～ 00:28:29 statement he clarified that he wanted to
clarify that 〜を明らかにする
00:28:29 ～ 00:28:30 spend more time focusing on other things
00:28:30 ～ 00:28:33 such as his own label that’s as good a
00:28:33 ～ 00:28:35 reason as any and I do believe that this
00:28:35 ～ 00:28:37 was his true intention but as soon as
intention 〔考えている〕目的、腹づもり
00:28:37 ～ 00:28:38 other fashion houses heard that the
00:28:38 ～ 00:28:40 legendary Raf Simons was once again a
00:28:40 ～ 00:28:45 free agent the phone started to ring
00:28:52 ～ 00:28:54 in august of 2016 Raf was appointed
00:28:54 ～ 00:28:57 chief creative officer of Calvin Klein
00:28:57 ～ 00:28:58 in this role he was tasked with
tasked with 〜を任せられる
00:28:58 ～ 00:29:00 overseeing the creative strategy for
00:29:00 ～ 00:29:02 every facet of the company including
facet (物事の)面，相
00:29:02 ～ 00:29:04 Calvin Klein jeans Calvin Klein home
00:29:04 ～ 00:29:06 brand their perfume line Calvin Klein
00:29:06 ～ 00:29:08 platinum and of course Calvin Klein
00:29:08 ～ 00:29:09 collection the name for their menswear
00:29:09 ～ 00:29:11 and women’s wear lines now a lot of
00:29:11 ～ 00:29:13 people tend to get this confused but he
00:29:13 ～ 00:29:15 was never actually the creative director
00:29:15 ～ 00:29:17 of Calvin Klein because that title
00:29:17 ～ 00:29:19 belonged to Pieter Mulier who happens to
belong to ～に属する、～の所有物である
happen to 偶然～する、たまたま～する、ふと～する、期せずして～する、図らずも～する、何げなく～する
00:29:19 ～ 00:29:22 be a longtime friend of his that said I
00:29:22 ～ 00:29:23 wouldn’t go around correcting people who
go around ～の周りを進む［回る］、〔～を〕周回［一回り］する
correct 〔間違い・誤りなどを〕訂正［修正］する、正す
00:29:23 ～ 00:29:25 say that Raf was the creative director
00:29:25 ～ 00:29:27 because for all intents and purposes he
for all intents and purposes どう［どの点から］見ても、事実上
for all intents どう［どの点から］見ても、事実上
00:29:27 ～ 00:29:30 was as chief creative officer he decided
00:29:30 ～ 00:29:31 what direction he wanted the collections
00:29:31 ～ 00:29:33 to go in and then worked closely
go in ～に入る［突入する］、〔仕事などを〕開始する
00:29:33 ～ 00:29:35 alongside Pieter to make it happen it’s
alongside 〔仕事などを〕～と一緒に、～と協力して
make it happen 実現させる
00:29:35 ～ 00:29:37 reasonable to say that Raf’s debut at
it is reasonable to say that 〔that以下〕ということはここで言って［述べて］おくべきだろう、ここで申し添えておくべきは〔that以下〕ということである
00:29:37 ～ 00:29:39 Calvin Klein was one of the most highly
00:29:39 ～ 00:29:41 anticipated debuts of any designer in
highly anticipated 大いに期待された
00:29:41 ～ 00:29:42 recent memory because people were
in recent memory 最近の記憶では
00:29:42 ～ 00:29:44 excited but weren’t exactly sure what to
00:29:44 ～ 00:29:46 expect on one hand he was one of the
on the one hand 一方で
00:29:46 ～ 00:29:48 greatest designers alive and on the
00:29:48 ～ 00:29:50 other hand he was in unfamiliar
unfamiliar territory 精通していない分野
00:29:50 ～ 00:29:52 territory up until that point he’d spent
territory 〔学問や活動の〕分野、領域
up until ～まで
00:29:52 ～ 00:29:54 his entire life living in Europe
00:29:54 ～ 00:29:56 studying the work of European designers
00:29:56 ～ 00:29:58 and he was now tasked with moving to New
tasked with 〜を任せられる
00:29:58 ～ 00:30:00 York and modernizing one of the most
modernize 近代［現代］化する［的にする］
00:30:00 ～ 00:30:02 iconic American brands ever not only
iconic 象徴的な
00:30:02 ～ 00:30:04 that but Calvin Klein is a brand best
best known for 《be ～》～で最もよく知られている
00:30:04 ～ 00:30:06 known for their jeans and Raf is
00:30:06 ～ 00:30:09 markedly not a huge fan of denim having
markedly〔差異・変化などが〕著しく、際立って
00:30:09 ～ 00:30:10 only used it a handful of times in his
a handful of 「手に十分に持てるぐらい」の意味になり、これは量やサイズについて表現しています。多すぎとも少なすぎとも言っていませんが、基本的にはそこまで多くはない量です。
参考ページ
00:30:10 ～ 00:30:13 entire career nevertheless there was
there is nothing we can do 仕方ないね、仕方がないね、仕方がないよ
00:30:13 ～ 00:30:14 nothing we could do but wait and see and
wait and see 成り行きを見守る、形勢をうかがう、様子を見る、静観する、日和見する
00:30:14 ～ 00:30:17 on February 13th of 2017 the day had
00:30:17 ～ 00:30:20 finally arrived Raf’s first big change
00:30:20 ～ 00:30:22 actually took place before a single
00:30:22 ～ 00:30:23 model stepped on the runway because he
00:30:23 ～ 00:30:25 decided to do away with the name Calvin
do away with 〔不要な物を〕処分する、捨てる、排除する、〔制度などを〕廃止する
00:30:25 ～ 00:30:27 Klein collection and settled on the new
settle on 〔～という選択肢〕に決定する、〔～という考え〕に落ち着く
00:30:27 ～ 00:30:32 name Calvin Klein 205 west 39th NYC the
00:30:32 ～ 00:30:33 name may not roll off the tongue that
roll off the tongue 発音しやすい、言いやすい、語呂が良い
00:30:33 ～ 00:30:35 nicely but it’s a reference to the
nicely 上手に、うまく、親切に
00:30:35 ～ 00:30:36 brand’s headquarters in New York city
00:30:36 ～ 00:30:38 and that’s where this show took place
00:30:38 ～ 00:30:40 right inside the lobby the show quite
00:30:40 ～ 00:30:42 literally opened with a voice declaring
00:30:42 ～ 00:30:45 this is my America which let everyone in
in attendance 出席して、〔人に〕付き添って、随行して
00:30:45 ～ 00:30:46 attendance know that they were about to
00:30:46 ～ 00:30:48 witness Raf and Pieter’s interpretation
interpretation 〔意味や重要性の〕解釈、解明、〔批評家による芸術作品の〕解説、説明
00:30:48 ～ 00:30:50 of American fashion this would include
00:30:50 ～ 00:30:53 denim outfits cowboy boots varsity
varsity 〈主に米〉〔大学・学校の〕代表チーム
00:30:53 ～ 00:30:55 jackets and as if that weren’t enough
00:30:55 ～ 00:30:57 they added in an American flag for good
00:30:57 ～ 00:30:58 measure
00:30:58 ～ 00:31:00 all of this was great but what people
00:31:00 ～ 00:31:02 really liked was how well Raf blended
blend 〔異なる物質を〕混ぜ合わさる、混合する、〔異なるものを〕一緒にする、融合する
00:31:02 ～ 00:31:03 this American aesthetic with his own
aesthetic 審美眼、美学、美学的思想
00:31:03 ～ 00:31:05 aesthetic as can be seen with the unique
00:31:05 ～ 00:31:08 color blocking and masterful tailoring
color blocking 大胆な配色
masterful 優れた技量［知能］の
00:31:08 ～ 00:31:10 in all the collection was widely praised
00:31:10 ～ 00:31:12 in fashion media but the praise sort of
sort of いくらか、幾分、ある程度、やや、少し、ちょっと、〈話〉まあ言ってみれば～みたいな、～のようなもの、～みたいな、～めいた、いわば、どちらかといえば
00:31:12 ～ 00:31:14 ended there so let’s take a step back
take a step back 一歩退く、一歩譲る、譲歩する
00:31:14 ～ 00:31:16 for a moment and put the relationship
put ～ into perspective ～を大局的に見る
put ~ in perspective 広い視野で～を見る、大局的な視点から～を眺める
00:31:16 ～ 00:31:18 between Raf Simons and Calvin Klein
00:31:18 ～ 00:31:20 into perspective one of the main reasons
00:31:20 ～ 00:31:22 that Calvin Klein hired Raf was because
00:31:22 ～ 00:31:24 they’d hoped that he could rebrand them
rebrand ブランド再生（する）、リブランド（する）
00:31:24 ～ 00:31:26 as a luxury brand but from the outset
outset 着手、手始め、発端、発生
00:31:26 ～ 00:31:28 that was simply never going to work for
00:31:28 ～ 00:31:30 the entirety of his career Raf has
00:31:30 ～ 00:31:32 been considered a luxury designer and
00:31:32 ～ 00:31:34 has had a customer base more than
00:31:34 ～ 00:31:36 willing to spend thousands of dollars on
00:31:36 ～ 00:31:38 his pieces no matter how eccentric and
no matter how どんなに～であろうとも
eccentric （一風）変わった、とっぴな、異様な、変な、奇妙な、奇抜な、並外れた、脱線する、偏心の［している］
00:31:38 ～ 00:31:39 while I don’t intend to call Calvin
00:31:39 ～ 00:31:41 Klein low end I think that their
low-end 〔同種類の商品の中で〕一番安い、低価格の、低級な
00:31:41 ～ 00:31:43 customer base is much more inclined
inclined 傾いた、斜めになった、～したい気がする、～の傾向がある
inclined toward 《be ～》～側［の方］に［へ］傾いている［傾斜している］
00:31:43 ～ 00:31:45 towards casual wear I mean if you really
00:31:45 ～ 00:31:47 want me to put it bluntly people care
bluntly 〔遠回しに言うべきことを〕はっきりと、露骨に、あからさまに、ずばりと、ずばずばと、単刀直入に、歯に衣を着せずに、にべもなく
00:31:47 ～ 00:31:48 more about Calvin Klein jeans and
00:31:48 ～ 00:31:50 underwear than anything else so Raf was
00:31:50 ～ 00:31:52 pretty much fighting an uphill battle
uphill battle 苦しい戦い、苦戦、厳しい環境下での戦い◆冠詞anが付けられる場合がある。
00:31:52 ～ 00:31:54 since day one he continued releasing new
00:31:54 ～ 00:31:57 collections including the fall 2018
00:31:57 ～ 00:31:58 ready to wear collection that famously
ready-to-wear 既製服
00:31:58 ～ 00:32:00 featured the Wile E. Coyote and the Road_Runner
Wile E. Coyote and the Road_Runner ワーナー・ブラザースのアニメーション作品、ルーニー・テューンズに登場する架空のキャラクター。
00:32:00 ～ 00:32:02 sweaters but nothing really seemed to
00:32:02 ～ 00:32:05 stick the bottom line was that the
bottom line 最終利益、最終的な収益［損益］、純損失、純利益、総決算、最終結果［決定］、結論
00:32:05 ～ 00:32:07 collection wasn’t doing the numbers that
00:32:07 ～ 00:32:10 they’d hoped for and in november of 2018
00:32:10 ～ 00:32:12 the CEO of Calvin Klein’s parent company
00:32:12 ～ 00:32:14 PVH flat out admitted that they had
flat out 徐々に［少しずつ・だんだん・次第に］薄れる、失敗に終わる、〈米俗〉全速力で走る［走らせる］
00:32:14 ～ 00:32:16 become too fashion forward for their
fashion-forward 流行に敏感な
00:32:16 ～ 00:32:18 core customer this was the beginning of
beginning of the end 終わりを告げる最初の兆し、終結［結末］の兆し、終焉の始まり、不幸を予見する兆し
00:32:18 ～ 00:32:21 the end and in december of 2018 Raf
00:32:21 ～ 00:32:23 officially announced that he would be
00:32:23 ～ 00:32:25 leaving the brand a full eight months
00:32:25 ～ 00:32:27 before his contract was set to expire I
set to 《be ～》～することになって［決まって］いる
00:32:27 ～ 00:32:29 really don’t think that he can be blamed
00:32:29 ～ 00:32:30 for the way things turned out because he
00:32:30 ～ 00:32:33 did what was asked of him he came in set
ask of （人）に要求する
set one’s sights on ～に照準を合わせる［狙いを定める］、〈比喩〉～に狙いをつける、～を手に入れようとする、～を目指す
00:32:33 ～ 00:32:35 his sights on modernizing the brand put
00:32:35 ～ 00:32:38 out strong collections and even added in
put out 生み出す、生産する、製造する、出版する、本を出す、発行する、発売する、公開する
00:32:38 ～ 00:32:40 a few cool projects along the way like
along the way 道中（で）、ここに至るまでに、これまでに、進行中に
00:32:40 ～ 00:32:41 his collab with the Andy Warhol
00:32:41 ～ 00:32:42 foundation
00:32:42 ～ 00:32:44 but sometimes in the fashion industry
00:32:44 ～ 00:32:47 doing everything right just isn’t enough
do everything right 全て完璧にこなす
00:32:47 ～ 00:32:48 time and time again we’ve seen a great
time and time again：何度も繰り返し
00:32:48 ～ 00:32:51 designer go work for a great brand only
00:32:51 ～ 00:32:52 for things to fall apart when they
fall apart 〔精神的に〕ぼろぼろになる、〔組織・体制・関係などが〕崩壊する、壊滅する、瓦解する、破綻する
00:32:52 ～ 00:32:55 realize it isn’t a good match so for the
good match 《be a ～》相性が良い、お似合いのカップルだ、良縁である、《a ～》〔実力伯仲の〕良い試合、名勝負
00:32:55 ～ 00:32:57 second time in his career the business
00:32:57 ～ 00:32:59 side of things had gotten in Raf’s way
get in one’s way 〈物が〉・足手まといになる
00:32:59 ～ 00:33:01 and after leaving Calvin Klein many
00:33:01 ～ 00:33:03 people fairly assumed that it would be a
fairly かなり、相当（に）、極めて、ほとんど、全く、どうやら
00:33:03 ～ 00:33:05 while before he rushed to go work at
while 少しの時間、時間、期間
rush to ～に急ぐ［急行する・駆け付ける］、大急ぎで～する
00:33:05 ～ 00:33:06 another fashion house
00:33:06 ～ 00:33:08 after all he still had his own label to
00:33:08 ～ 00:33:10 manage as well as an ongoing partnership
00:33:10 ～ 00:33:12 with adidas but when the right
00:33:12 ～ 00:33:14 opportunity presents itself it’s very
present oneself 現れる、出頭する、自己紹介［アピール］をする、自分［自ら］を売り込む
00:33:14 ～ 00:33:18 hard to say no
00:33:24 ～ 00:33:27 in early 2020 Raf announced that he
00:33:27 ～ 00:33:29 would be joining Prada as co-creative
co- 共同の、共通の、相互の◆対等の立場・役割を表す。
00:33:29 ～ 00:33:31 director alongside the legendary Miuccia
alongside 〔仕事などを〕～と一緒に、～と協力して
00:33:31 ～ 00:33:33 Prada how did this partnership come
come about 〔事が〕起こる、生じる、発生する
00:33:33 ～ 00:33:35 about you may ask well let me start by
00:33:35 ～ 00:33:37 saying that Raf has been a genuine fan
00:33:37 ～ 00:33:40 of Prada for a very long time so much so
00:33:40 ～ 00:33:42 in fact that back in 2016 when he joined
00:33:42 ～ 00:33:45 Calvin Klein GQ published an article
00:33:45 ～ 00:33:47 titled here’s why Calvin Klein’s new
00:33:47 ～ 00:33:50 creative director loves to wear Prada it
00:33:50 ～ 00:33:52 goes deeper than that though Miuccia
00:33:52 ～ 00:33:54 Prada’s husband happens to be Patricio
00:33:54 ～ 00:33:56 Bertelli who as you may remember is the
00:33:56 ～ 00:33:58 CEO of the Prada group and is the one
00:33:58 ～ 00:34:01 who hired Raf to work at Jil Sander
00:34:01 ～ 00:34:03 although he eventually sold Jil Sander
00:34:03 ～ 00:34:04 thus marking the end of their
thus 〈文〉この［前述の事実の］結果として、それ故に、従って、だから、〈文〉このような方法で、このようにして、こんなふうに、上に述べたように
marking the end of ～の終わりを告げる
00:34:04 ～ 00:34:06 professional relationship Bertelli
00:34:06 ～ 00:34:07 remained a fan of Raf’s work and
00:34:07 ～ 00:34:09 continued paying close attention to his
pay close attention to ～に細心の注意を払う、～を注視する
00:34:09 ～ 00:34:12 career so when he became available after
00:34:12 ～ 00:34:13 leaving Calvin Klein it presented the
00:34:13 ～ 00:34:16 opportunity for them to reunite and I
reunite 再会［再結合・再結成］する、仲直りする
00:34:16 ～ 00:34:17 think I speak for everyone in saying
00:34:17 ～ 00:34:19 that I’m glad they did
00:34:19 ～ 00:34:22 as a fan of Raf Simons his debut Prada
00:34:22 ～ 00:34:23 collection was everything you could have
00:34:23 ～ 00:34:25 asked for while it did build off of
ask for ～を求める、～を要求する、～を要する、～を所望する、～を依頼する、～を貸してくれと言う
build off of →build something
00:34:25 ～ 00:34:27 ideas that Miuccia had established in
00:34:27 ～ 00:34:30 prior seasons this had Raf written all
all over it とても関心がある、ハマっている
00:34:30 ～ 00:34:31 over it there were of course some of his
00:34:31 ～ 00:34:33 signature design elements like the
signature 〔衣類が〕デザイナーの名前入りの、特徴的な
00:34:33 ～ 00:34:35 sleeveless look and the extended
00:34:35 ～ 00:34:37 proportions but as a tip of the cap to
a tip of the cap to 〜を尊敬するみたいな意味
00:34:37 ～ 00:34:39 his true fans there was also direct
00:34:39 ～ 00:34:41 references to pieces from his past and
piece 〔美術・音楽・文学などの〕作品、曲
00:34:41 ～ 00:34:42 note that the graphics here were
00:34:42 ～ 00:34:44 designed by Peter De Potter the same
Peter De Potter ベルギーを拠点に活動中のビジュアルアーティスト
2001～2010年までのRaf Simonsとのコラボレーションで注目を集め、一度きりの予定が長期にわたる継続的なコラボレーションとなる
00:34:44 ～ 00:34:46 artist that Raf had been working with
00:34:46 ～ 00:34:48 since 2001. also I’m not sure I’d call
00:34:48 ～ 00:34:50 this a reference but it’s worth
worth mentioning 《be ～》～に触れる［言及する］価値がある
00:34:50 ～ 00:34:51 mentioning that none of the models in
00:34:51 ～ 00:34:53 this show had ever walked a runway
00:34:53 ～ 00:34:55 before and that sort of reminds me of
00:34:55 ～ 00:34:56 what he did with his black palms
00:34:56 ～ 00:34:59 collection back in 1997. overall this is
00:34:59 ～ 00:35:01 what I believe to be a fantastic start
00:35:01 ～ 00:35:03 to the partnership between Raf and Miuccia
00:35:03 ～ 00:35:05 and since then we’ve received four more
00:35:05 ～ 00:35:07 collections from the duo looking past
past 過ぎて、（通り）越えて、（通り）越して
00:35:07 ～ 00:35:08 the technical excellence of these
00:35:08 ～ 00:35:10 collections the most impressive thing to
00:35:10 ～ 00:35:12 me is that they’ve explored new ideas in
00:35:12 ～ 00:35:14 each one some people weren’t sure of
00:35:14 ～ 00:35:16 having two creative directors would work
work out 〔トラブルなどが〕何とか解決する、丸く収める、何とかなる、うまくいく、いい結果が出る、良い結果となる、
00:35:16 ～ 00:35:18 out but I think that’s exactly what has
00:35:18 ～ 00:35:20 allowed them to succeed sure they’d be
sure 確かに、本当に
00:35:20 ～ 00:35:22 fine on their own but the ability to
00:35:22 ～ 00:35:23 bounce ideas off of each other and
bounce off 〔反応を見るためにアイデアなどを〕（人）にぶつける［投げ掛ける］
00:35:23 ～ 00:35:25 refine one another’s work is allowing
refine 〔～を〕洗練する、精緻化する、磨く、〔～に〕磨きをかける、〔機械などを〕改良［改善］する
one another お互い
00:35:25 ～ 00:35:27 them to innovate at an extremely high
innovate 革新する
00:35:27 ～ 00:35:29 level I do acknowledge that there is
00:35:29 ～ 00:35:31 still a lot to be determined but I
to be determined 将来決定する、未定、未使用
00:35:31 ～ 00:35:32 really like the direction that things
00:35:32 ～ 00:35:34 are going in here and I don’t want to
00:35:34 ～ 00:35:36 speak too soon but it appears that Raf
00:35:36 ～ 00:35:41 has found a home for himself at Prada
00:35:46 ～ 00:35:48 when it’s all said and done truly
when all is said and done つまるところ、究極は、結局は
00:35:48 ～ 00:35:49 believe that Raf Simons will go down
go down 〔後々まで〕記憶される、思い出に残る◆「～として」にあたるas ～が続く。
00:35:49 ～ 00:35:51 as one of the most influential designers
00:35:51 ～ 00:35:54 to have ever lived he’s left his imprint
leave an imprint on 強い印象を～に残す
00:35:54 ～ 00:35:55 on countless other designers and
00:35:55 ～ 00:35:57 single-handedly changed to the concept
single-handedly 人の手を借りずに、独力で、単独で、自力で
00:35:57 ～ 00:36:00 of high fashion for an entire generation
00:36:00 ～ 00:36:02 but what’s crazy for me to think about
00:36:02 ～ 00:36:04 is that this almost never happened I
00:36:04 ～ 00:36:05 mean what if he had never attended that
00:36:05 ～ 00:36:08 Margiela show before that fashion had
00:36:08 ～ 00:36:10 never even crossed his mind he was so
cross someone’s mind 〔考え・過去の記憶などが〕（人）の頭［脳裏］をよぎる、（人）の心に浮かぶ
00:36:10 ～ 00:36:12 far down the path of industrial design
down 本気で、身を入れて
00:36:12 ～ 00:36:14 that he feared it was too late to change
feared 心配した
00:36:14 ～ 00:36:16 course but of all people it was the head
of all people 他の誰よりも、人もあろうに
00:36:16 ～ 00:36:18 of the fashion department at the royal
00:36:18 ～ 00:36:20 academy of arts and Antwerp that sat him
00:36:20 ～ 00:36:21 down and said he didn’t need to go to
00:36:21 ～ 00:36:24 school for fashion he just needed to try
00:36:24 ～ 00:36:27 it taking her advice that’s what he did
take someone’s advice （人）のアドバイス［助言・忠告・意見］を聞く［聞き入れる・受け入れる］、（人）のアドバイス［助言・忠告・意見・勧め］に従う、（人）の言うことを聞く、（人）に耳を貸す、（人）に相談する
00:36:27 ～ 00:36:29 and here we are nearly 25 years later
00:36:29 ～ 00:36:31 and that same kid who thought it was too
00:36:31 ～ 00:36:33 late for him is one of the most widely
00:36:33 ～ 00:36:35 recognized figureheads in the history of
figurehead 名目上の長［リーダー］
00:36:35 ～ 00:36:36 the art form
art form 芸術形式
00:36:36 ～ 00:36:38 by now you can probably tell that I’m a
by now 今頃はもう、そろそろ
00:36:38 ～ 00:36:40 big fan of Raf’s work but the main
00:36:40 ～ 00:36:42 reason I wanted to make this video is to
00:36:42 ～ 00:36:44 help people appreciate his story as much
appreciate 〔～を〕正しく［正当に］評価［理解・認識］する、十分［よく］理解する、敏感に察する、〔～が〕分かる
00:36:44 ～ 00:36:46 as they appreciate his clothing so there
there you have it というわけで、以上、終わり。
00:36:46 ～ 00:36:49 you have it that is everything I wanted
00:36:49 ～ 00:36:50 to touch on for the history of Raf
touch on 〔議論の中で話題などに〕軽く触れる、言及する
00:36:50 ～ 00:36:51 Simons
00:36:51 ～ 00:36:53 I’m already working on new videos and
00:36:53 ～ 00:36:55 I’ll be trying to put one out every week
put out 生み出す、生産する、製造する、出版する、本を出す、発行する、発売する、公開する
00:36:55 ～ 00:36:57 so if you want to stay up to date on
stay up-to-date on 〔最新の情報・状況などを〕常に把握している、〔最新の情報・状況など〕に遅れないで［いつも通じて］いる
00:36:57 ～ 00:36:59 those make sure you subscribe and also
00:36:59 ～ 00:37:02 follow me on Instagram Threaducation
00:37:02 ～ 00:37:03 for updates
00:37:03 ～ 00:37:05 other than that thank you all for
other than that それ以外は、それを別とすれば
00:37:05 ～ 00:37:09 watching and I will see you next time
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