Martin Margielaについて語られている動画をYouTubeで発見したので勉強の教材にしてみます。
Part1はこちらです。→YouTube英語動画勉強13 The History of Margiela Part1
Part2はこちらです。→YouTube英語動画勉強14 The History of Margiela Part2
動画
字幕 (自動生成されたもの)
00:16:32 ～ 00:16:34 and AMIRI just to name a few
name 〔～の〕名前を挙げる
00:16:34 ～ 00:16:36 it’s not exactly clear why Martin
00:16:36 ～ 00:16:38 decided to sell Margiela but it’s also
00:16:38 ～ 00:16:40 not that crazy to think that he did
00:16:40 ～ 00:16:41 because being purchased by a
00:16:41 ～ 00:16:43 conglomerate is a very common way for
00:16:43 ～ 00:16:45 independent brands to expand that may
00:16:45 ～ 00:16:47 not have been the only reason though
00:16:47 ～ 00:16:49 because around this time rumors started
00:16:49 ～ 00:16:51 circulating that Martin simply wanted to
00:16:51 ～ 00:16:52 step away from fashion
step away from ～から離れる［身を引く］
00:16:52 ～ 00:16:54 while this may have been the case he did
00:16:54 ～ 00:16:57 stick around for a few more years but in
stick around 〈話〉近くにいる、辺りをブラブラする
00:16:57 ～ 00:16:59 2008 the rumors started circulating once
00:16:59 ～ 00:17:02 again and this time they were for real
00:17:02 ～ 00:17:04 Martin Margiela officially retired from
00:17:04 ～ 00:17:05 fashion
00:17:05 ～ 00:17:07 at the time of his retirement he said
00:17:07 ～ 00:17:09 nothing but years later after winning a
nothing but ～だけ、～のみ
00:17:09 ～ 00:17:11 prize at the Belgian fashion awards he
00:17:11 ～ 00:17:13 released a statement explaining his
00:17:13 ～ 00:17:15 departure saying I felt that I could not
00:17:15 ～ 00:17:17 cope anymore with the worldwide
00:17:17 ～ 00:17:19 increasing pressure and the over-growing
00:17:19 ～ 00:17:21 demands of the trade I also regretted
00:17:21 ～ 00:17:23 the overdose of information carried by
overdose 〔薬剤・麻薬の〕過量［過剰］摂取
00:17:23 ～ 00:17:25 social media destroying the thrill of
00:17:25 ～ 00:17:27 weight and cancelling every effective
weight 〔精神的な〕重荷、負担、〔存在・言葉・意見などの〕重要さ、重要性、重み、影響力
00:17:27 ～ 00:17:29 surprise so fundamental for me that
00:17:29 ～ 00:17:32 gives us insight into why he walked away
walk away 立ち去る、遠ざかる、別れる
00:17:32 ～ 00:17:34 and it also gives us insight into why he
00:17:34 ～ 00:17:35 hated the publicity
publicity 〔宣伝によって作られた〕注目、評判、風評、知名度
00:17:35 ～ 00:17:38 after Martin left in 2008 the ownership
00:17:38 ～ 00:17:40 group decided to let the existing design
00:17:40 ～ 00:17:41 team continue running the show without
00:17:41 ～ 00:17:44 identifying any one person as the lead
00:17:44 ～ 00:17:46 this is unusual but it’s not unheard of
00:17:46 ～ 00:17:48 and if you think about it it sort of
00:17:48 ～ 00:17:51 makes perfect sense Margiela is supposed
make perfect sense 完全に筋が通っている、妙に説得力がある、どこもおかしい点はない、つじつまは合っている
00:17:51 ～ 00:17:52 to be this brand without an identifiable
identifiable 〔特定の人や物であると〕確認［識別］できる、〔複数のものを〕同一に扱える、同一と見なせる
00:17:52 ～ 00:17:54 figurehead behind it so if they’d gone
figurehead 名目上の長［リーダー］、傀儡
00:17:54 ～ 00:17:56 and instantly appointed someone like Raf
00:17:56 ～ 00:17:58 Simons they’d have been compromising
compromise 妥協する、譲歩する、歩み寄る、和解する
00:17:58 ～ 00:18:00 that part of the brand’s identity
00:18:00 ～ 00:18:02 now even though we don’t know much about
00:18:02 ～ 00:18:04 who was on the design team we do know
00:18:04 ～ 00:18:05 what they accomplished together and
00:18:05 ～ 00:18:07 while you may not have known it there’s
00:18:07 ～ 00:18:09 a very good chance that you’re familiar
00:18:09 ～ 00:18:10 with their work
00:18:10 ～ 00:18:12 earlier on I joked that the masks in
00:18:12 ～ 00:18:14 Margiela spring 1989 collection were
00:18:14 ～ 00:18:16 giving off kanye vibes and that is no
give off 〔光・気体・熱・雰囲気などを〕出す、発する
00:18:16 ～ 00:18:18 coincidence
00:18:18 ～ 00:18:20 it’s a fairly well-known fact that Kanye
00:18:20 ～ 00:18:22 is a massive fan of Margiela and he’s
00:18:22 ～ 00:18:24 even rapped about it saying what’s that
00:18:24 ～ 00:18:26 jacket Margiela doctors say I’m the
00:18:26 ～ 00:18:28 illest cause I’m suffering from realness
realness 現実
00:18:28 ～ 00:18:30 this might be a bit of a stretch but
stretch ？？
00:18:30 ～ 00:18:32 I’ve always imagined that the Margiela
00:18:32 ～ 00:18:34 jacket he’s talking about is the famous
00:18:34 ～ 00:18:36 white lab coat which looks exactly like
00:18:36 ～ 00:18:38 something that a doctor would wear
00:18:38 ～ 00:18:39 either way his passion for the brand
either way どちらにしても
00:18:39 ～ 00:18:41 does not end there because he was
00:18:41 ～ 00:18:43 personally styled by the Margiela team
style 〈服・髪型などを〉特定の［新しい］型に合わせて作る
00:18:43 ～ 00:18:45 for his entire Yeezus tour and this
Yeezus Kanye Westのアルバムタイトル
00:18:45 ～ 00:18:48 included a series of now iconic masks
00:18:48 ～ 00:18:49 while these masks were in part
00:18:49 ～ 00:18:52 customized for him they originated from
originate from ～が起源である、～に由来［起因］する、～から［によって］生じる［起こる］
00:18:52 ～ 00:18:54 one scene in Margiela’s fall 2012 and
00:18:54 ～ 00:18:57 fall 2013 couture collections
00:18:57 ～ 00:18:59 nowadays they’re looked back upon as a
look back upon 〔過去の出来事などを〕回想［追想］する、振り返る
00:18:59 ～ 00:19:01 defining part of this tour and by the
defining 決定的な、特徴付ける
00:19:01 ～ 00:19:03 way if you’re curious he was able to see
00:19:03 ～ 00:19:05 through them the jewels may slightly
see through ～を通して見る、～を見通す、～を透かして見る、透けて見える、透視する、本質を見抜く、正体を見破る
jewel 宝石
00:19:05 ～ 00:19:07 obstruct his vision but other than that
other than ～以外の
00:19:07 ～ 00:19:10 it’s simply an embroidered chiffon vale
embroidered 刺しゅうのある、刺しゅう飾りの
chiffon シフォン◆絹またはナイロンの軽くて柔らかい織物。婦人服やスカーフの素材として使われる。
00:19:10 ～ 00:19:11 another thing that I think is worth
S is worth ～ing の形で、「Sには～する価値がある」
00:19:11 ～ 00:19:14 mentioning here is why Kanye decided to
00:19:14 ～ 00:19:16 wear these masks aside from the fact
aside from 〈米〉〔話題・問題など〕からそれて / 〈米〉～はさておき、～は別として、～はこっちに置いといて、～を除いては◆【類】except for / 〈米〉～の他に、～に加えて、～だけではなく
00:19:16 ～ 00:19:18 that they look amazing he suggested that
00:19:18 ～ 00:19:20 he liked the idea of people going to his
00:19:20 ～ 00:19:22 shows and experiencing his art all
00:19:22 ～ 00:19:24 without ever seeing his face
00:19:24 ～ 00:19:26 I really like that explanation because
00:19:26 ～ 00:19:28 it’s basically the same exact reason
00:19:28 ～ 00:19:29 that Martin never made appearances at
make an appearance 顔を出す［のぞかせる］、顔出しする、現れる、登場する、お目見えする、姿を現す、出現する
00:19:29 ～ 00:19:32 his fashion shows you’re not there to
00:19:32 ～ 00:19:33 see him you’re there to see what he’s
00:19:33 ～ 00:19:35 made for you and the mask provides a
00:19:35 ～ 00:19:37 degree of separation that makes that
a degree of ある程度の～、幾分かの～◆【同】a certain degree of
00:19:37 ～ 00:19:38 possible
00:19:38 ～ 00:19:40 as I’m sure many of you have seen Kanye
00:19:40 ～ 00:19:41 has been wearing masks everywhere
00:19:41 ～ 00:19:44 recently so I wonder if this has been at
00:19:44 ～ 00:19:46 the forefront of his mind and I also
forefront 最前部、最前線、第一線、先端、中心
00:19:46 ～ 00:19:47 wonder if we might see him break out one
break out 〔急に・突然〕起こる［発生する・出現する・始まる］、突発する、激発する、〔戦争などが〕勃発する
00:19:47 ～ 00:19:50 of these Margiela masks anytime soon I
anytime soon 近いうちに、近い将来
00:19:50 ～ 00:19:51 won’t get my hopes up but this is still
get one’s hopes up 高い期待を抱く、期待を寄せる
00:19:51 ～ 00:19:53 a cool part of the brand’s history and
00:19:53 ～ 00:19:55 it was all made possible by the design
make ～ possible ～を可能にする
00:19:55 ～ 00:19:58 team that stepped up when Martin left
step up 強化する、〔仕事などに〕さらに力を入れる、進歩［向上］させる
00:19:58 ～ 00:20:00 as much as everyone loved their work the
00:20:00 ～ 00:20:02 design team would only remain in charge
00:20:02 ～ 00:20:04 until 2014 because that is when John
00:20:04 ～ 00:20:07 Galliano was appointed creative director
00:20:07 ～ 00:20:09 prior to joining Margiela Galliano had
00:20:09 ～ 00:20:11 made a name for himself by directing for
make a name for oneself 名を成す［上げる］、名声を得る［手にする］、名前が売れる
00:20:11 ～ 00:20:13 the likes of Givenchy Dior and his own
likes of 《the ～》～のような人［物］
00:20:13 ～ 00:20:16 eponymous label from a design standpoint
eponymous 〔会社などが〕創始者の名前を社名にした
standpoint 観点、見地、立場◆【類】viewpoint
00:20:16 ～ 00:20:18 he was an interesting choice because his
00:20:18 ～ 00:20:20 proclivity towards extravagance marked a
proclivity 〔好ましくないことへの〕傾向、性癖
extravagance 〔金の〕浪費、行き過ぎた無駄遣い、ぜいたく［無駄遣い］品、〔言葉や行動の〕行き過ぎ、無節制
00:20:20 ～ 00:20:22 new direction for Margiela and from a
00:20:22 ～ 00:20:23 personal standpoint he was a
00:20:23 ～ 00:20:25 questionable choice because there are
questionable 〔真実性・正確性などが〕疑わしい、疑問の余地がある、〔行いや評判などが〕不品行な、いかがわしい
00:20:25 ～ 00:20:27 few designers in recent memory quite as
recent memory 最近の記憶、近時記憶
00:20:27 ～ 00:20:30 controversial as John Galliano
00:20:30 ～ 00:20:32 in 2011 following an altercation at a
altercation 〔短時間の激しい〕口論、言い争い
00:20:32 ～ 00:20:34 bar in Paris where he is said to have
00:20:34 ～ 00:20:36 made anti-semitic remarks he was placed
anti-Semitic 反ユダヤ主義の
make a remark 意見［感想・批評］を述べる
00:20:36 ～ 00:20:38 under arrest and was subsequently
place someone under arrest （人）を逮捕［拘引・拘禁］する
00:20:38 ～ 00:20:40 dismissed from his directorship at Dior
dismiss 〔雇い主が従業員を〕解雇する、免職する、解任する、追放する
directorship 管理職
00:20:40 ～ 00:20:42 afterwards he denied any wrongdoing but
wrongdoing 悪事、不正行為
00:20:42 ～ 00:20:44 his lawyer later stated that the
00:20:44 ～ 00:20:46 outburst was the result of overwhelming
outburst 爆発、感情などがドッとあふれること、噴出
overwhelming 〔感情的に人を〕圧倒する、打ちのめす
00:20:46 ～ 00:20:47 stress and addiction
00:20:47 ～ 00:20:49 Galliano was ultimately found guilty and
00:20:49 ～ 00:20:51 other than a temporary residency with
residency 居住
00:20:51 ～ 00:20:53 Oscar de la Renta he remained out of a
out of job 《be ～》失業している、失業中である
00:20:53 ～ 00:20:56 job until 2014 which is when the OTB
00:20:56 ～ 00:20:58 group invited him to be the new creative
00:20:58 ～ 00:21:01 director of Margiela for obvious reasons
00:21:01 ～ 00:21:03 this decision was a highly contentious
contentious 〔問題などが〕議論を引き起こす、争い［論争・けんか］好きな
00:21:03 ～ 00:21:05 one but Renzo Rosso the founder of the
00:21:05 ～ 00:21:07 OTB group affirmed that he wanted to
affirm
00:21:07 ～ 00:21:08 bring about a new stage in Margiela’s
bring about 〔徐々に〕～をもたらす、～を引き起こす
00:21:08 ～ 00:21:10 history and that he was confident in
00:21:10 ～ 00:21:12 Galliano’s talent as a designer to make
make ～ happen ～を実現させる
00:21:12 ～ 00:21:14 that happen
00:21:14 ～ 00:21:16 in his first move as creative director
00:21:16 ～ 00:21:18 Galiano decided to shorten the brand’s
00:21:18 ～ 00:21:20 name from Mason Martin Margiela to Maison
00:21:20 ～ 00:21:22 Margiela in case you aren’t familiar
in case 念のため、万が一（～する場合）の用心に、万が一［もしもの場合］に備えて、何かあるといけないので、～するといけないから、万一～の場合には◆ifよりも口語的
00:21:22 ～ 00:21:24 Mason is simply the French word for
00:21:24 ～ 00:21:26 house making it a common prefix before
00:21:26 ～ 00:21:28 the names of different fashion houses
00:21:28 ～ 00:21:30 as far as his first few collections they
00:21:30 ～ 00:21:32 were relatively tame and to his credit
tame 単調な、大したことのない
to one’s credit 名誉となって，賞賛に値して、自分の業績として，自ら手がけて
00:21:32 ～ 00:21:34 he stuck to many of the same soloists
stick to ～にこだわる、～に固執する、～から離れない、～に忠実である、～に忠誠を示す、～にくっつく、～に粘着する、～に張り付く
soloist 独奏者、独演者、ソリスト
00:21:34 ～ 00:21:36 and color palettes that Martin and his
00:21:36 ～ 00:21:38 design team were known to use but as he
00:21:38 ～ 00:21:40 settled in and became more comfortable
settled in 《be ～》～に落ち着く
00:21:40 ～ 00:21:42 in his new role we can very clearly see
00:21:42 ～ 00:21:44 him start to take more risks
take a risk 危険を冒す、いちかばちか［思い切って］やってみる
00:21:44 ～ 00:21:46 now this is just my opinion and everyone
00:21:46 ～ 00:21:48 is of course entitled to their own but
entitled to 《be ～》～する資格［権限］がある、～を得る［取得する・受ける］資格［権利］がある
00:21:48 ～ 00:21:51 if you ask me the Margiela collections
00:21:51 ～ 00:21:52 in recent years have sort of been a
00:21:52 ～ 00:21:53 mixed bag
mixed bag 寄せ集め
00:21:53 ～ 00:21:55 I mean some of them are just so far
00:21:55 ～ 00:21:57 removed from the brand’s history that if
00:21:57 ～ 00:21:59 I didn’t know any better I’d probably
00:21:59 ～ 00:22:00 have a hard time telling that this was
00:22:00 ～ 00:22:02 Margiela
00:22:02 ～ 00:22:03 on the other hand though there are
00:22:03 ～ 00:22:05 certain collections like the spring 2021
00:22:05 ～ 00:22:07 ready to wear collection that are simply
00:22:07 ～ 00:22:09 fantastic and I’ll even go out on a limb
go out on a limb 〔～を得るために・～を達成するために〕危険を冒す、危ない橋を渡る
00:22:09 ～ 00:22:11 and say that this is one of my favorite
00:22:11 ～ 00:22:13 Margiela collections
00:22:13 ～ 00:22:14 regardless of the quality of his work
00:22:14 ～ 00:22:16 there are still many people today who
00:22:16 ～ 00:22:17 will say that he shouldn’t have the
00:22:17 ～ 00:22:19 position because of the controversy that
00:22:19 ～ 00:22:21 we just talked about but whether you
00:22:21 ～ 00:22:22 love him or hate him it appears that
00:22:22 ～ 00:22:24 John Galliano will be with Margiela for
00:22:24 ～ 00:22:27 the foreseeable future because in 2019
foreseeable 予測［予知］できる、〔将来が〕近い、間近の、〔将来の期間が〕しばらくの［長い］間の
00:22:27 ～ 00:22:29 he renewed his contract for an
00:22:29 ～ 00:22:32 unspecified amount of time that said all
unspecified 特定［明示・指示・特記］されていない、詳細不明の
00:22:32 ～ 00:22:34 we can do now is wait and see what the
all we can do is 〜しかない
00:22:34 ～ 00:22:37 future holds
00:22:43 ～ 00:22:45 before we close there are a few final
00:22:45 ～ 00:22:47 things that I want to address starting
00:22:47 ～ 00:22:49 with the question how does a brand that
00:22:49 ～ 00:22:51 prides itself on being mysterious
pride oneself on ～を自慢する、～を誇る
00:22:51 ～ 00:22:53 maintain relevance in the fast-moving
relevance 〔検討課題などとの〕関わり、関連（性）、つながり
00:22:53 ～ 00:22:55 world of fashion well in some respects
respect 〔特定の〕点、事項
00:22:55 ～ 00:22:58 the answer is obvious as we’ve discussed
00:22:58 ～ 00:23:00 Margiela is preceded by a long history
precede 〔時間的・順序的に～に〕先行する［先んじる・先立つ］、〔時間的・順序的に～より〕先に起る、〔位置的に〕～の前に来る［置く］、～より前方を行く、～より重要な地位にある、上位である、〔～の〕上位に就く
00:23:00 ～ 00:23:02 of quality and innovation that has
00:23:02 ～ 00:23:03 earned it a fiercely dedicated cult
fiercely 〔競争・非難・反対・抗議などが〕激しく、猛烈に
dedicated 献身的な、打ち込んでいる、熱心な、ひたむきな
cult 〔一時的な〕熱狂、（個人）崇拝
00:23:03 ～ 00:23:05 following nevertheless we’ve seemed to
00:23:05 ～ 00:23:07 make a number of attempts to branch out
branch out 〔商売の〕手を広げる
00:23:07 ～ 00:23:09 to a larger audience with one of the
00:23:09 ～ 00:23:11 most prominent examples being their H&M
prominent 人目を引く、目立つ、派手な、有名な、著名な、優れた、卓越した
00:23:11 ～ 00:23:13 collab at face value this might sound a
at face value 額面で、額面どおり（に）、額面価額で、表面［文字］どおりの意味［価値］で
00:23:13 ～ 00:23:15 bit ridiculous because many people
00:23:15 ～ 00:23:17 associate H&M with low quality fast
00:23:17 ～ 00:23:19 fashion but the silhouettes that they
00:23:19 ～ 00:23:21 created for this collaboration actually
00:23:21 ～ 00:23:23 weren’t half bad people still had mixed
00:23:23 ～ 00:23:25 opinions about the whole thing with many
00:23:25 ～ 00:23:26 of them arguing that this collab was
00:23:26 ～ 00:23:28 nothing more than a business decision
nothing more than ～にすぎない、～でしかない
00:23:28 ～ 00:23:30 but hey let’s not forget that whether we
00:23:30 ～ 00:23:33 like it or not fashion is a business
00:23:33 ～ 00:23:34 now this is not the only collaboration
00:23:34 ～ 00:23:36 that I want to talk about because under
00:23:36 ～ 00:23:38 the direction of John Galliano Margiela
00:23:38 ～ 00:23:40 has released a number of sneakers with
00:23:40 ～ 00:23:43 Reebok this is no ordinary collaboration
00:23:43 ～ 00:23:45 though because it fused two classic
fused 融合した、結合した
00:23:45 ～ 00:23:46 models together to create a pair of
00:23:46 ～ 00:23:49 tabby sneakers truth be told I never
truth be told 正直に言うと
00:23:49 ～ 00:23:50 expected to see Margiela working with
00:23:50 ～ 00:23:52 Reebok but the outcome has been
00:23:52 ～ 00:23:54 interesting to say the least and I’m
to say the least 控えめに言っても◆文頭で用いられた場合の訳例
00:23:54 ～ 00:23:56 curious to see what else if anything
00:23:56 ～ 00:23:58 comes of this partnership more generally
come of ～から生じる、～の結果として生じる、～の結果である、～から起こる、～に起因する、～の出である、～に生まれる、～の子孫である
00:23:58 ～ 00:24:00 I’m curious to see if Margiela will form
00:24:00 ～ 00:24:02 any new partnerships in the future
00:24:02 ～ 00:24:04 between working with the likes of H&M
the likes of 同様の種類
00:24:04 ～ 00:24:06 Reebok and Kanye it seems that pretty
00:24:06 ～ 00:24:08 much anything is on the table so this is
on the table 〔議案・計画などが〕検討中で、審議中で
00:24:08 ～ 00:24:10 something that I will be paying very
00:24:10 ～ 00:24:11 close attention to
pay close attention to ～に細心の注意を払う、～を注視する
00:24:11 ～ 00:24:13 so that just about brings us to present
present day 現代
00:24:13 ～ 00:24:15 day as far as the brand is concerned but
00:24:15 ～ 00:24:17 there’s still one question left
00:24:17 ～ 00:24:18 unanswered
00:24:18 ～ 00:24:20 where is Martin Margiela now
00:24:20 ～ 00:24:23 well after leaving the label in 2008 he
00:24:23 ～ 00:24:24 just about fell off the face of the
fell off the face of the Earth 完全に消える、地球上から姿を消す
00:24:24 ～ 00:24:26 earth we didn’t hear much from him while
00:24:26 ～ 00:24:28 he was still active so you can imagine
00:24:28 ～ 00:24:30 how much we heard from him once he
00:24:30 ～ 00:24:33 retired but in 2021 after being away for
00:24:33 ～ 00:24:36 nearly 13 years he unexpectedly broke
break one’s silence 沈黙を破る
00:24:36 ～ 00:24:37 his silence
00:24:37 ～ 00:24:39 no he was not making his return to
00:24:39 ～ 00:24:41 fashion but instead he revealed that
00:24:41 ～ 00:24:43 he’d spent his time away making art
00:24:43 ～ 00:24:45 he hosted an exhibit in paris to display
00:24:45 ～ 00:24:48 a series of sculptures paintings and
00:24:48 ～ 00:24:49 installations that gave us a rare
installation《美術》展示（品）
00:24:49 ～ 00:24:51 glimpse into how he perceives the world
glimpse ちらっと見ること、一目、一見、垣間見ること、〔ある物のわずかな〕兆候、気配、しるし
perceive 〔目や耳などの感覚で～に〕気付く、〔目や耳などの感覚で～を〕見抜く、～を理解［把握］する、～だと分かる
00:24:51 ～ 00:24:52 around him
00:24:52 ～ 00:24:54 you can see a few of the pieces here and
00:24:54 ～ 00:24:56 they really are thought provoking it’s
provoke 〔～を〕引き起こす、招く、起こさせる、誘発する
00:24:56 ～ 00:24:58 not exactly clear if this exhibit was
00:24:58 ～ 00:25:00 just a one-time venture into the world
00:25:00 ～ 00:25:01 of art but from what I’ve read it took
00:25:01 ～ 00:25:03 him three years to put all of this
put together 〔部品や部分を〕組み立てる、〔考えを〕まとめる、〔出し物を〕企画する
00:25:03 ～ 00:25:04 together so it sounds like he’s taking
00:25:04 ～ 00:25:07 this pretty seriously and while you
take ~ seriously ～を真面目［真剣・真摯］に受け止める［考える］、（人）の話を真面目に聞く、～を重要視［重大視］する、～を真に受ける、～を本気にする、～を本当にする、～にむきになる、～を決して軽視しない
00:25:07 ～ 00:25:08 should never say never this tells me
00:25:08 ～ 00:25:11 that he really has moved on from fashion
00:25:11 ～ 00:25:13 it’s a bit unfortunate because I know
00:25:13 ～ 00:25:14 for a fact that he’s still capable of
00:25:14 ～ 00:25:16 putting together amazing collections but
00:25:16 ～ 00:25:18 at the same time I know he made the
00:25:18 ～ 00:25:19 right decision
00:25:19 ～ 00:25:21 the influence of his work can still be
00:25:21 ～ 00:25:23 seen throughout the fashion industry
00:25:23 ～ 00:25:25 today and I think that it will be for a
00:25:25 ～ 00:25:27 very long time to come because if you’ve
00:25:27 ～ 00:25:28 learned anything from our discussion
00:25:28 ～ 00:25:30 today it should be this
00:25:30 ～ 00:25:32 people may call Margiela the invisible
00:25:32 ～ 00:25:37 man but that doesn’t mean he’s not there
00:25:54 ～ 00:25:56 foreign
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